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ROSACCIO, GIUSEPPE: VIEW OF ŠIBENIK

ROSACCIO, GIUSEPPE: VIEW OF ŠIBENIK

Inventory number 247
Original title: Sibenicho parte d' Dalmacia
Publishing year: 1598
Place of publishing and publisher: Venezia
Format: 10 x 17,5 cm
Technique: Copper engraving

This view shows the town of Šibenik identical to the drawn by Martin Rota Kolunić a native of  Šibenik for the famous isolario by Francesco Camocio published in 1571. His view image of Šibenik is considered to be the most accurate representation of any Croatian town made during the Renaissance period. In the foreground, we can see the castle of St. Nicola very artfully featured, as well as two smaller bastions that controlled the entrance into the Šibenik channel. The view image is dominated by the representation of the fort above the town  (Castelo). From the castle the town’s defence walls, inner and outer, descend  towards the sea. Within the land laying between the two rings of walls only a few structures were built and  it seems likely that the soil was used for cultivation (fertile inland zone was occupied by the Turks!). Some of the town’s characteristic palaces and its cathedral can be also recognized. The eastern part of the town reaches up to St. Francis monastery. By highlighting Šibenik’s topographic position on top of a hill providing good sight on the surrounding area, as well as putting emphasis on its castles, ramparts and sea bastions, he created impression of a great defensive power and  impregnability of Šibenik, one of the key strongholds in the line of defense against Turks. This view comes from the first edition of Rosaccio’s travel-record book «Viaggio da Venetia a Constantinopoli per Mare, e per Terra, & insieme quello di Terra Santa» published in 1598.

ROSACCIO, GIUSEPPE
Giuseppe Rossacio (ca 1530-1620), Italian cosmographer who worked in Venice. His most noted works are “Teatro del Cielo e Terra Florence” of 1594, the 1604 edition of Ptolemy’s “Fashion of the Four Elements” and “Teatro del Cielo” of 1615. Of the greatest importance for the depiction of the Croatian lands is his isolario “Viaggio da Venetia a Constantinopoli” comprising map images of all of the bigger islands and ports located along the navigable way leading from Venice to Constantinople, the work that from 1597 onwards went through several editions.
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